Graduate Thesis
2004

Reverse Osmosis (detail), 2004
Ceramic and nail polish, 28 × 5½ × 9 inches
After my first semester in grad school I wanted to start exploring ideas that dealt with issues I felt more strongly about as opposed to the concept of functional vessels that I had been working with during my time as an undergraduate. During a trip to New York I was able to see the work of Carroll Dunham, as well as the rich graffiti that covered certain parts of the city. For me, these images, along with the ideas that were being conveyed, clicked with what I had been thinking about and drawing in my sketchbook. Once I was back I started working on forms that related to intestine-like organs with surfaces that displayed ideas of decadence and sensationalism. I wanted to anthropomorphize the internal forms that mitigated one's external desires.

Bloody Hilarious, 2004
ceramic and nail polish, 14 × 8½ × 6½ inches

Bloody Hilarious, 2004
ceramic and nail polish, 14 × 8½ × 6½ inches

Reverse Osmosis, 2004
ceramic and nail polish, 28 × 5½ × 9 inches

Reverse Osmosis (detail), 2004
ceramic and nail polish, 28 × 5½ × 9 inches

Blue Movement, 2004
ceramic and nail polish, 28 × 5½ × 9 inches

Big Dumb, 2004
ceramic and nail polish, 9 × 6 × 5½ inches

Aide, 2004
ceramic and nail polish, 7½ × 5½ × 11½ inches

Aide (detail), 2004
ceramic and nail polish, 7½ × 5½ × 11½ inches

No Idea, 2004
ceramic and nail polish, 5 × 6 × 9 inches

Flap, Jack., 2004
ceramic and nail polish, 7 × 6 × 5 inches

Fitz In, 2004
ceramic and nail polish, 8½ × 7¾ × 5 inches

Fitz In (detail), 2004
ceramic and nail polish, 8½ × 7¾ × 5 inches

Pretty Please, 2004
ceramic and nail polish, 7 × 5 × 7 inches

Yellow #6, 2004
ceramic and nail polish, 9 × 6 × 5½ inches

Hot Pocket, 2003
ceramic and china paint, 4 × 7 × 4 inches

Feeling Puffy, 2003
ceramic and china paint, 4 × 3 × 7 inches